Prostate Cancer Survival Rates Gleason 8

DELIGHTS OF MONZA Monza delights" to "Yellow Pistoia - TVL - May 1, 2010

Yellow Pistoia is a transmission TVL, organized by the Friends of the Yellow and Pistoia condatta by Stefano Fiore and Giuseppe Previti. The episode on May 1, 2010 I saw a guest with my second novel delights of Monza - the history of power and malaffari (Frilli Publishers)

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Male Intimate Waxing Limerick

Maurizio De Giovanni, author of" The place of each "(Fandango)

Maurizio De Giovanni was born in 1958 in Naples, where he lives and works. In 2005, with a story set in Thirties fascist Naples starring the Commissioner Richards, won the national prize Quick Shot, devoted to emerging crime writers. The same person then becomes the protagonist of a novel published in 2006 by Graus, "Tears of the clown." The same novel was subsequently published by Domenico Procacci's Fandango Books under the title "The sense of pain." They went out then "The condemnation of the blood" and "The place for everyone."

Welcome to this blog Maurizio. You have created a character, Commissioner Richards, that readers will love more and more. He inquires about feelings, emotions, the feelings. Is that so? Where does, how he came to life this character?

Ricciardi was born by chance at the cafe Gambrinus, during my participation in a competition launched by Porsche in June of 2005, which was written by a group of friends, their kindness, they had me scheduled for a future within literature. The liberty of the local environment, the oppressive heat, a little girl who passed out in the street and that, feeling watched, I made a face: all small items that they take something inside of me. Not There's nothing autobiographical Ricciardi is not like me, either physically, except perhaps eye color, or psychologically, as I am outgoing and far from silent. It was rather a spark of imagination: maybe I deeply share his perception of pain, his sentence can not turn our backs on suffering, his emotional involvement especially in regard to children and sharing the food with this in a convincing manner, according at least what I tell people who have the goodness to read.


Ricciardi operates dark era. Alone and desperate, is been defined more than once. And his stories read to appreciate re today, time is certainly not bright. Why are "lonely and desperate? Why is appreciated? There is hope in Ricciardi, if it is true that "pain and injustice dominate men"?

Ricciardi is hopelessly alone and so desperate, because he has no choice. Its physical characteristics, inherent in his personality, is in fact that it can not avoid being the last witness emotion, the last passion of those who leave their lives to a violent death. We can change course or channel, we have remote controls, newspapers and gossip, we can pretend that the pain does not exist and we can avoid the thousands of forms that come our way. Here, Ricciardi is just a normal man but without a remote control, is what would happen to anyone of us could not avoid the pain . And this is just to make it in time and a system in which everything must look perfect without being one. Dark age and substantially similar to the one we live in today, at ferent light.
But Ricciardi has a chance: the window. In other words, the possibility, however, denied by him, to share. That's why, in my view, the audience appreciates it: if pain and injustice dominate the men, the way out may be the relationship with the others. And in my opinion, now as then, the way that this can not be.

Each investigator has a respectable second, a fair partner. Holmes had Watson, Adamsberg has Langlard, Montalbano has Fazio. Tell us about him.

Ricciardi told myself that I do not like me at all. Conversely, if I had to choose the character with whom I feel more like, say Maione, a sergeant who acts as his shoulder and protects him from a distance.
That is a big man and eternally at war with the scale, as I am. But above all ll is a simple man, who looks at facts without preconceptions, and disenchantment with concrete and that is why they get the essence. Often does not understand the paths of the mind and soul of Ricciardi, and is constantly worried about him, but one wonders why and follows it, anyway. In affection and loyalty for people who are really great, and I'm very happy with this character.

comes to life as one of your novel? How to write and why do you write?

As many know by now, are very fast in writing of my novels. In fact, the plot born, piece after piece, in my mind, without which I feel the need to put anything in writing. Then, suddenly, the characters begin to pile up and see entire scenes. At this point, I must write. E type or, realizing that many of the events take a completely different path than I had imagined. Basically, I know who died, where and how, who and who killed him may seem that killed him. But once I put the characters on stage, and characterize them, as if I were limited to give him the rope, the direction they take, and I swear that is not a habit, it is absolutely independent of my will. Indeed, sometimes their character is not at all what I had understood him, just like happens as a child.

I often think that a book that tells u na story should be like opening a door to the reader to a place that chooses to go to find something of himself, and put something of himself. Not a room furnished, but an open place, where you can walk, discover, and find out.

I say that my novels have different reading levels, and what pleased me: it is true that for me the characters are and must be in the making, more so I'd like every player who approaches the world Ricciardi of them can grasp the closest to his particular way of being and outlook on life.


"The good comes from women and they too often comes the bad." You said. Tell us about your female characters.

The old story of my stories are the feelings and passions, whose territory, the time of Ricciardi as in any age are women. The female universe, incomprehensible and unknown to the Commissioner, is the necessary path to understanding the genesis of emotion which has caused the crime. The theme of the first novel is the abuse of power and possession, a report he sees often suffered by women, the second novel is based upon the maternal and filial relationship t IPIC female and the third on jealousy, and it seems obvious link this emotion with women. In this sense, the good comes from women and they too often comes the bad.
Coming to my main female characters, Livia is a modern woman, independent and accustomed to getting what he wants without effort, especially in terms of men, but is also a person who has suffered a lot, which has a scale of strongly ties, knows the feeling when called by name the test. He understood that his heart wants a new feeling, and wants to get to the bottom of an emotion strong evidence but can not pigeonhole. Enrique is a girl of her time, sweet and romantic but stubborn and severe. She fell in love in the only way he knows, want a simple and normal life with the man she loves, home, family, children. He feels the thrill of Ricciardi for her, recognizes and understands why things do not evolve according to the conventions that his company has always practical. However, it is determined to do everything the same conventions require it to win her happiness. In reality n uring novels Enrica evolves towards Livia, gaining her the will and the desire to overcome obstacles in the name of his own happiness and Livia evolves towards Enrica developing the desire of well-being and respect for your loved one. But my favorite is Ritucci female character, whose story I had to squeeze into my second novel, "The condemnation of the blood", for editorial reasons and to which I felt obliged to devote to a story that my wife is a of the best things I've ever written (which I had the pleasure of reading, ed.)

"We are losing bits of memory continuously stifled by explosions techniques that encourage us to lose our light weakness. We should not be slaves of comfort. "(Tonino Guerra). What do you think?

Tonino Guerra I read for the first time many years ago and I've never forgotten. His "tell" was so profound and yet so comprehensible and filled with subtle humor, which I did a sort of icon. In this sentence there is everything: the importance of memory, the limits of the so-called progress, the importance of ancestral sentiments. E 'only, to call attention to its simplicity, diff ondendo poetry and beauty.

"Ours is the only one so-called advanced countries in which there is a literary magazine worthy of the name, or a debate public on the major cultural themes. "As we can emerge?

This is my bullet: Since I have achieved a certain notoriety, I always try to bring the discourse on the subject, hoping to engage other writers.
In fact, in Italy most unbridled individualism reigns, even and especially in the cultural sphere. The left, believing the repository of all knowledge, has taken a snobbish, surely the knowledge that separates the nation, while the right was resigned to the image that the left uncultivated the attributes, and seems perfectly at ease in this world of Smurfs , dwarfs and dancers. And it is really a shame, because I think the lack of synergy is the main limitation of this country and my city in particular, shows that this characteristic deteriorates exponentially.
I hope in my small way of being able to do something, trying to involve those who think like me, and given that this historic moment in Naples offers the highest concentration of writers and artists from other Italian cities, are moderately optimistic .

Naples. Your stories could be held elsewhere, or just there?

Naples is a city layered, like an onion. Over time, the ages, it changes only the surface, what you see from the outside, the essence, the deeper reality, remains constant over the basic elements. It depends on a very special topography, unique to a big city: the center is squeezed between sea, mountains and hills, so the population grows in sediment. There is no division between rich and poor districts, the contact is constant and the difficulties of this contact are constantly emerging. The city is boiling like a dark broth in a pot, that is on the bottom and back is what is intended to return to the surface on the bottom. In Naples this is equal to itself, the thirties as the eighties, war as it is today. And my stories might not have another theater, being the result of this constant motion.

What is the role of the writer today?

writer, I do not know. As far as I'm concerned, I do not carry a message: mine is the literature of escape. But I hope to set an example for young people who are about to embark on this journey, never lose hope, not to bow to market forces, maintain a strong territorial and do not consider others as antagonists, but as an opportunity for growth.

Monicelli said it was hard to convince his wife that when he was at the window for hours and hours, he was working. You grow as your imagination?

spend hours and hours at the window, or better on the road, as overlooking a park. But I do not need to convince my wife to the fact that this is the only inspiration I know.

Maurizio De Giovanni is on Facebook

Food For Cat With Sensitive Stomach

Upcoming dates presentation DELIGHTS OF MONZA

Here are the upcoming events with presentations MONZA of Earthly Delights.

Torino hours 18 May 15 - SHOW OFF BOOK FAIR, pedestrian Skyscraper Lancia, with Gianrico Carofiglio, Fabio Beccacini, Enrico Pandiani.

Milan 27 May at 19 - Space MilanoNera Library Mursia Via Galvani 24
with Sergio and Andrea Carlo Cappi Scorzillo

Stresa May 30 11 am - Coffee Bolongaro, Piazza Giacomo Matteotti 7
Bars with the author - with other writers

Milan Genoa 1 June 18:30 - The Walk LibroCaffè, Piazza di Santa Croce 21r
with Maria Teresa Valle

I wait.

Lipstick Colour Fair And Blonde

Videtta Marco, author of "A bell'avvenire" (ed. E / O)

Marco Videtta , said writer, and author Northeast (Ed. E / O) Massimo Carlotto, has recently published a wonderful novel, "A bell'avvenire" (Ed. E / O). After meeting him at the end of the Award Azzeccagarbugli 2009, we had this chat, which will carry over.

At Roma Anzo I ask you to make me think about the time that we live. A narrator is aware of its role or witness of the times. This is why I really enjoyed this novel. A novel that recounts the genesis of our republic, from the end of the fascist regime, and the Italians who, after all, be all now, crabs are not changed. If today, politically, as we are, it's because we were so. This is the general feeling. What do you think?

I totally agree and it is this thinking that prompted me to inquire about our recent past, especially on a crucial moment in our history: the transition from fascism to republic, enshrined in the 1948 election. A historic transition, in which no There was transparency. Within the institutions (police, judiciary) many former fascists with serious responsibilities to shoulder, were even invited to recycle. This happened to a precise political will because the world had already slipped into the Cold War and our country was negated by internal and external forces, the opportunity to complete autodir termination. The republic has begun to lose its sense of truth and since then there has finally given up after the massacre of Piazza Fontana on.

Fulvio is the speaking voice of the book, and has been growing in the myth of his older brother, who has

dragged the first to embrace fascism (the Idea Revolution ..) and then to enlist volunteered to go to war. Where did the idea to write this story?

The novel was born from a true story, which is that of my family on which hung the taboo of a fascist Republican uncle, who died in mysterious circumstances in the days immediately following the release of April 25 '45. I dug deep on this taboo, coming into possession of documents of the process the band Koch, a notorious Italian SS division. The acts of this process, which was celebrated in 1944 and then in the middle of the Social Republic, are still kept secret in part. About truth and transparency: why records concerning the events of 65 years ago are still forbidden to public inspection?

rakes, the fight against the Partisans, until September 8, the armistice, the confused ion, the tragedy. Fulvio

is a fascist not at all repentant, with a sense of defeat, injustice. An awkward, difficult. How have you been working?

It was not easy trying to identify with a character steeped in ideology completely away from me and what I am. The key I think it was his youth and naivety of the protagonist, a former enthusiastic disappointed and buffeted by events. Fulvio is a guy who was carried away and that when he finally asks questions that burst out from its and a deep emotional suffering, stumbles into an abyss of half-truths, ambiguity in characters who are their means of survival. When she finally manages to find the truth about his brother's death, he realizes that his effort did not do anything, that the problem lies elsewhere. In this sense, I think "A bell'avvenire" is not only a noir with historical background, a Bildungsroman. The protagonist grows in awareness, paying the price for a bitter disappointment, the past and the future.

murky atmosphere, pettiness, opportunism, self laundering: all very Italian?

I would say that every country has its dark side. Just think of the former Nazi riciclatisi in institutions and bureaucracy of the two post-war Germany. O never revealed the secrets of the countries that have ruled the world for the last sixty years, as the U.S. and the former Soviet Union. Political killings and serious destabilizing are still shrouded in mystery. It seems that all great changes have been polluted and diverted by political and economic interests more or less hidden. Italy has shown a particular talent for opportunism and sycophancy, characteristics that lie at the roots of the nation's history, starting with f orte of the Catholic Church meddling in politics.

This is your first solo novel. By Massimo Carlotto you wrote the beautiful "Northeast".

Can you describe what a writer to change between working solo and duet writing?

By Carlotto have worked in perfect harmony, by adopting a working method similar to the movie script: long discussions guided by a genuine dialectic, to the achievement of a common narrative structure. Conversely, the writing leaves you alone of course all the possible margin of freedom, it's you and you alone are the operator. But involve yourself in a dive from which it is very hard surfacing. Personally I love the collaborative work and for my personality, it is important to alternate with that alone.

"The writer must tell the thousands of alternative stories that we tell every day," said more or less the Wu Ming. What do you think?

Especially a writer has to tell what he knows very well, can not bluff, otherwise the reader feels immediately reeks of hoax. As to Wu Ming, I admire their work, especially "Q", and I agree that the literature now in Italy, aims to "create awareness," where there's other media tend in principle to blur.

What are you working now?

I am currently working on television adaptation of a French mystery and one of my cartoon, which is an area of \u200b\u200bgreat creative freedom. Then I remembered a rather challenging writing project that I'm afraid I will take a long time. Finally, do not rule out a new collaboration with Carlotto.

An author or a book you love to distraction.

"Underworld" by Don DeLillo, "Blindness" by Saramago, and of course almost the entire production of Massimo Carlotto.

What are the first things I remember reading from your baby, and you have attracted?

I think I started reading novels in middle school. I had a professor tostissimo we imposed the classroom library and reading at least one book a month. I do not remember which was the first that I read. But certainly I was struck by "The Invisible Man" by HG Wells and "Treasure Island".

The first thing you wrote and you did read it to someone, and what you have said.

In high school I always went to the movies on a notebook and writing "my" reviews. An by on for years and a notebook that I presented myself at the university to ask for the thesis. The beauty is that the professor read it and was enthusiastic. I wrote the thesis that became an essay titled "The escape impossible." The topic was the myth of the journey in literature and American cinema, which they say has been read by many Italian filmmakers. I'm very proud, especially since I was 22 years, more or less the age at which Fulvio, the protagonist of "A bell'avvenire", he volunteered for Russia ...

What music do you listen? And while you write?

I'm a big music fan. Not a day that does not listen. I have a predilection for the English rock, black music and jazz 60s. And may I add that I do on guitar and vocals the entire repertoire of the Beatles ... I love too much music to use as a background. I tend to separate the writing of my favorites from listening. Only at particular times to loop a song especially in consonance with what I write, to wrap myself in a "frame sound "that I isolated from the rest of the world.